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Prores codec for windows
I re-queued it and re-rendered, and it failed again.
Its actually quite common for standards in the pdf creator win7 64 bit IT industry to have unauthorised versions.The converter will only change the video encoding, you must ensure that the original format has the settings you want, for example fields or sound. From the end of Final Cut Pro to discontinuation of their Mac Pro Towers, they have put many high-end visual professionals in a bind.But as soon as you switch to 16 or 32 bit mode, these artifacts go away.Unleash the power of Windows.There have been previous attempts to get ProRes encoding working on Windows machines you can do it using ffmpeg but the results havent been as good as the real thing.The ProRes HQ cd sleeve template indesign and ProRes 4444 renders (using the trillions of colours setting) fared much better but they still werent perfect.Again, the ProRes LT and 422 @ millions displayed the 8-bit limitations with extensive banding and blockiness on both Mac and Windows machines.When working with 8-bit colour depth, the 0-255 range of each pixel isnt enough to preserve image data through such a large adjustment.It appears that while regular footage encodes as expected, more extreme footage and artificial test patterns produce inconsistent results.If I rendered a shorter version eg ten frames before the voodoo frame, then it would work.Clearly there is a differemce, and so the Windows ProRes codecs are working as expected.As the Windows ProRes team move the product out of beta and fix some of their issues, Ill post updates in the future. But perhaps one of the most prevalent examples is AMD, who have been manufacturing chips that use the Intel x86 instruction set for decades.The ProRes 422 video format is widely used in the world of audiovisual, but it was not possible to encode in this format using the Windows version of After Effects (Apple has not made it possible).This is what greets the casual After Effects user setting up a render with an Avid DnX codec.ProRes is a lossy format, and only 10-bit as opposed to the full 16-bits that After Effects can work.Does the i stand for interlaced, or just plain intimidation?The file sizes were similar but not identical, and the data rates were too.